A loving ode to the crappy Dempster el stop.

So what's officially the crappiest station of the entire CTA system here in Chicago? Well, my money would be on the Dempster stop up in Evanston, part of the purple line that goes up and down that notorious collegetown, one of only three suburbs to have actual urban el stops (the others being Skokie and Oak Park). I've had occasion to go up to Evanston more and more often recently -- several writers I deal with through my arts center live up there, as did my intern this summer -- and I also like bicycling up there quite a bit whenever I'm looking for a day-long excursion, because as a collegetown it's not only very bike-friendly and full of funky shopping, cafes, etc, but also pleasantly reminds me of my own college experiences in Columbia, Missouri, which is never a bad thing to be occasionally reminded of.

The purple line was first established in the Mid-Century Modernist era, back when everyone was overly optimistic about technology and public transit and the like, and so there are just way more stations on the line now than the city really needs to have; and with this one serving the older, poorer southern side of town, and with there being other stops just four blocks north and four blocks south of this one, I suspect that this will be one of the first ones to be closed if the CTA is ever forced to start making decisions like this, which I imagine is why the CTA hasn't bothered to do any kind of major work on the station since literally the mid-1960s or so. It's like a little time capsule, a little crumbling post-apocalyptic Beneath the Planet of the Apes time capsule, which is why I always take such delight in entering and leaving Evanston here.

Plus, I have to confess that I simply like the funky, sorta worn-down section of town that's around the Dempster stop -- you know, that place in every collegetown not actually near campus and full of all the trendy bars and overpriced boutiques, but the quieter one full of the hippies and slackers who were never able to pull themselves away from the town, with that sort of shambling yet antique look that you also see in the Lower Haight in San Francisco. It's always great on a Saturday to start a bike trip around here, do a little sightseeing first, then wind my way through the Victorian mansion district to the east and along the lakefront, up north until hitting the main downtown, then up through the Northwestern University campus, then west to the North Shore Canal Trail and a straight shot all the way back to Lincoln Square, close to where I live back in the city. If I ever was to leave Chicago for some reason, there's a good chance that Evanston is where I'd land next, and very likely in this Dempster area that I've grown to like so much.

Plans for "imago" are tentatively back on.

(Let me make it quickly clear that this image by Jules Andre Brown is only being used for test purposes today, for mock-up versions of things that don't yet exist, and that nothing pictured here today is actually for sale yet.)

Did you hear? I got hit by a car last year! And that led to a shattered hip, which led to a settlement check this fall, which after paying all my bills left me with enough left over to buy my first-ever top-of-the-line Macintosh, and by that I mean a 27-inch iMac with quad-core Intel i7 processors, PLUS my first-ever legal copy of Adobe Creative Suite 5, including the software needed both to design publications again and convert them into iPad magazines for sale. So that has me thinking seriously again about imago, an idea I've had for awhile for a hipster photography magazine run by my arts organization, the Chicago Center for Literature and Photography, which I've been thinking of maybe trying to put out every three months next year in a whole variety of formats for each issue -- a PDF that a person can print out or load on an e-ink device; an Issuu.com copy that people can "flip through" online, and then order a glossy paper version of if they want; and an enhanced iPad version for sale at the Apple iBook Store, which includes multimedia elements not present in the other versions.

The whole idea behind this project is to try something I could do literally just in my spare time on the weekends, for example while watching "Svengoolie" and drinking beer on a Saturday night, but that after publication could simply exist labor-free as part of a "long tail" of bringing in small yet tangible amounts of real money slowly with a big catalog over time; so not only would I sell each issue of the magazine itself into perpetuity, but I'd put together "hipster museum" style posters of each of the five artists featured in each issue, and sell them as a series of print-on-demand merchandise that people can order online, with the above image for example available as everything from a coffee mug to refrigerator magnet, t-shirt, three-by-four-foot poster, bookmark, button, etc etc etc etc. That essentially gives you six new, unique revenue streams with each issue, or 24 at the end of a year under my plan of quarterly issues, which once you're done actually setting up would simply sit there and exist to draw in pure profit, albeit just a tiny amount of profit per artist. That's why you have to have so many for the endeavor in general to be worth the center's time, and also why it likely wouldn't be worth it cutting into my weekday time used for book reviews, publishing original books, planning live events, etc. This would mostly be about putting out a very cool new product, something a little edgier and more visually oriented to add to CCLaP's overall repertoire, to not have it take up too much time but hopefully by the end of the year make at least $500 if not more, and in the meanwhile using the center's resources to creatively highlight 24 very deserving photographers over the course of a year.

Anyway, more news on this as it develops!